Pete Scrowther, an Englishman living in Switzerland, looks back to
glorious days 20 years ago
Springsteen definitely was ready for London
Reprint from DAN #17:
Introduction by Rolf Wyss
Pete Scrowther, an Englishman from somewhere nearby Newcastle,
came to Switzerland almost twenty years ago. He started his career as a
background singer for several rock and folk acts, later on he became the
frontman of well respected bands like Legal Tender or Rusty Nugget.
Early this year a dream came true and he recorded his first self-titled solo
album. As you might know, I work as a journalist and one day I did an
interview with this really sympathetic guy. So he told me that he had seen
the second show at Hammersmith Odeon back in 1975. Bruce's music
really meant a lot to him, especially in the Seventies. So I asked him to
write down his thoughts about the concert. It goes like this:
"Is London ready for Bruce Springsteen?"
In November 75 it was hard to escape the posters and stickers with
which CBS had plastered the capital. Our man himself was apparently so
unnerved by the hype that he'd personally torn down all the offending
posters he'd come across. And the first visit to Europe by the E Street
Band get off generally on the wrong foot. The first Hammersmith Odeon
concert was by all accounts a disaster, and unconverted rock critics had
gleefully seized the chance to put the boot in. In the meantime Bruce had
been over to Amsterdam and Stockholm and was now back in London
for the second British concert.
So it was with a mixture of excitement and apprehension that I stuck out
my thumb on the early-morning motorway to hitch-hike the 450 km. from
Newcastle to London, my treasured mailorder ticket stashed safely in a
sweaty inside pocket. I needn't have worried, though. I made it to the
capital with time to spare, and was rewarded with the most astonishing,
exhilarating show Id seen in already 15 years of concertgoing (and
competition included Van Morrison with The Caledonia Soul Orchestra 2
years before, and small hall gigs by people like Jethro Tull, Pink Floyd,
Zappa and numerous other legends of the 60s and early 70s).
You want details? Well, 20 years of brain-cell neglect have taken their
toll here. One vivid image is of Bruce sitting virtually under the grand
piano, leaning back on one of its legs, the stage lighting muted,
singing...well, what? And then there's the figure of Bruce himself. Those
who have grown up with the iron-pumping Rambo that emerged around
"Born In The USA" would hardly have recognised the tiny bent figure
who skuttled round the Odeon stage, scrubby beard, baggy pants, a
ludicrous Rasta-type wooly hat and, believe it or not, really skinny arms.
As for the length of the concert or the choice of songs, you bootleg
owners probably know more about it than I do. You know how it is, on a
day so top heavy with impressions, the oddest things, nothing to do with
the concert, tend to stick in your mind. Like how I spent an hour or so
searching for the person who was supposed to be providing me with a
bed for the night, which turned out to be the start of one of my most
valued friendships. But that's another story...
And Bruce? He never excited me as much again, that's for sure. That
was the time, and "Born To Run" was, and is, the album.
by Pete Scrowther
